The Gorlen Vizenfirthe Series

The Gargoyle’s Handbook

From the writer of the blockbuster videogame Half-Life, ten stories of the bard with a gargoyle’s hand.

For over a quarter of a century, Gorlen Vizenfirthe has entertained fans of wandering bards. Famous for playing his silver-strung eduldamer with one hand of flesh and one of stone, he has traveled from the dankest dens of Dankden to the desiccated domiciles of Wumnal Wells, first in search of a gargoyle with a hand of flesh, and then, partnered with said goyle, on the trail of the elusive wizard who swapped their hands in the first place.

The Gargoyle’s Handbook collects for the first time all the Gorlen tales that take place before the events of the novel, Underneath the Oversea. Herein are short stories about sinister cats and singing ships, novelettes of musical curses and trap-setting birds, novellas of transmogrified pilgrims and metaphysical moths—well over a hundred thousand weird and wonderful words, which is barely enough to describe Gorlen’s world.

For fans of Jack Vance, Fritz Leiber, or sword and sorcery with more stringed instruments. For readers of Underneath the Oversea curious to learn how Gorlen found his family. Or for those who simply want a pocket guide to strange new lands. The Gargoyle’s Handbook might be just the handy manual you’ve been looking for.

 

Praise for the Gorlen novel, Underneath the Oversea:

“It’s timeless and old school, moving at a non-frenetic pace, yet curiously full of contemporary relevance and excitement. It’s not marked by the frantic overachieving of modern genre world­building, yet it’s still rich and dense. It obviously predates the commodification of fantasy and the splintering of that genre into many niches. It’s not Tolkienesque or paranormal, urban or grimdark. It’s simply… echt fantasy, like Dunsany or Mir­rlees, de Camp & Pratt or Hannes Bok. … Laidlaw’s tone and his whimsical, low-key yet alluring inventiveness have a light, eternally fresh style, not anchored to any one era. Yet the whole subtextual theme of a blended family is pure 21st-century topical material, natural and not hammered home. … There are constant surprises, cliffhangers, reveals, and moving sentimental epiphanies throughout these adventures, and at times a Vancian flair for dialogue. …  The pristine, primal spirit of fancifulness that does not obey the dictates of marketplace or literary fashions … A book that will transport you ‘beyond the fields we know.'” – Paul di Filippo, Locus Magazine

“This is all really a delight. Everywhere there are wonders – the imagination of the author is a marvel. The novel remains at the same time light-hearted and quite serious – the stakes are high, there is much danger and some loss; but also there is comedy, and sweetness, and love. I was enchanted the whole way through.” – Rich Horton, Black Gate Magazine

Underneath the Oversea

The ocean is rising… Straight up!

“On a bluff above the sea lived a gargoyle, a tree, two bards, and their various children.”

Gorlen and Plenth, the wandering bards in question, have quit a life of rambling to raise their daughter Aiku in peace at the edge of a curious sea. Aiku’s other father is the gargoyle Spar, who is also husband to a songwood tree and father to a young grove. It’s no more unusual than most families, and their life no less ordinary…until one extraordinary day, when the messenger birds Aiku loves begin to deliver ominous notes and soon flap away in a frenzy, like a storm fleeing before an even greater storm.

Their warning, meant only for birds, becomes clear to all when the ocean abandons its bed and sails into the sky, carrying off all its denizens (not to mention every ship), while revealing an eerie land of murk and mystery below.

While some might hesitate to plunge into that vaporous realm, for our heroic parents, waiting is not an option.

For even as the ocean rose, Aiku was carried off to the lands beneath it, caught in a conflict between elder guardians and illicit sorceries. With no idea what they’re getting themselves into, our bards and gargoyle head straight into the dim new world.

Will the levitating sea crash down again and drown them? Or might it float away to the stars, taking Aiku with it?

Only in the depths beneath the Oversea, at a place of power where ancient forces forgotten and forbidden converge, will all the pieces and the players come together.

The tides, and the stakes, have never been higher.

 

Praise for Underneath the Oversea:

“It’s timeless and old school, moving at a non-frenetic pace, yet curiously full of contemporary relevance and excitement. It’s not marked by the frantic overachieving of modern genre world­building, yet it’s still rich and dense. It obviously predates the commodification of fantasy and the splintering of that genre into many niches. It’s not Tolkienesque or paranormal, urban or grimdark. It’s simply… echt fantasy, like Dunsany or Mir­rlees, de Camp & Pratt or Hannes Bok. … Laidlaw’s tone and his whimsical, low-key yet alluring inventiveness have a light, eternally fresh style, not anchored to any one era. Yet the whole subtextual theme of a blended family is pure 21st-century topical material, natural and not hammered home. … There are constant surprises, cliffhangers, reveals, and moving sentimental epiphanies throughout these adventures, and at times a Vancian flair for dialogue. …  The pristine, primal spirit of fancifulness that does not obey the dictates of marketplace or literary fashions … A book that will transport you ‘beyond the fields we know.'” – Paul di Filippo, Locus Magazine

“This is all really a delight. Everywhere there are wonders – the imagination of the author is a marvel. The novel remains at the same time light-hearted and quite serious – the stakes are high, there is much danger and some loss; but also there is comedy, and sweetness, and love. I was enchanted the whole way through.” – Rich Horton, Black Gate Magazine

Dankden

He was a clumsy bard, inept at the complex fingerings that made eduldamer strings hum so sweetly in a master musician’s hands. His musical deficiency owed much to the fact that his right hand was made entirely out of polished black stone, carved in perfect replication of a human hand, so detailed that one could see the slight reliefwork of veins and moles, the knolls of knuckles, even peeling cuticles captured in the hard glossy rock. Most of the fine hairs had snapped from the delicately rendered diamond-shaped pores, but you could feel where they had been, like adamantine stubble. His left hand was more dexterous than most, and his calloused fingers hammered the strings as best they could to make up for the other hand’s disability; but his rock-solid right hand was good for nothing more than brutal strumming and whacking. He couldn’t pinch a plectrum. The soundbox was scarred and showed the signs of much abuse, the thin wood having been patched many times over. Read More

Catamounts

“I have my limits,” said Gorlen Vizenfirthe, hooking a full mug of cheap brew toward him with one of the petrified fingers of his stony right hand. A coarse black strand of beard-hair poked up from the foamy head like a sick fern’s frond. “And you, sir, are quickly approaching several of them at the same time.”

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Childrun

The first thing Gorlen heard, as he mounted toward the walled village at the top of the rise, was the sound of children, their voices tumbling down the rutted track to greet him long before he saw a single villager. This meant his first sight of the pinched grey roofpeaks and ochre chimneyspikes above the wall came accompanied by the peculiar mix of dread and longing that he always felt at the sound of children playing. Were they laughing in delight or screaming in terror? It was an old question, and in the first and most memorable instance–when the correct answer had actually mattered–he had guessed wrong.  He had lived with that mistake ever since. It had been his sister’s voice then, yes, and he had thought her carried away by laughter; but it was something far different that had carried her off to a place he had no real desire to follow. He hadn’t understood his mistake until he’d heard the sound of his childhood home, nestled in a sandy cove along the Pavinine Coast, being crushed beneath the weight of a gargantoise that had chosen that spot and those tarry timbers for the construction of its spitdaub-and-driftwood broodpile, where it would lay its oozy eggs and nest and doze for seven days. The cries of his parents he never heard, although they must have made some noise before the witless immensity smothered them. After that, he heard only the crashing of waves, the snoring of the huge armored amphibian. It was no wonder the sound of unseen children caused a surge of emotion, for they recalled the very instant of his orphaning. Read More

Quickstone

“Are there any gargoyles in what do you call your city? Dint?” Gorlen asked.

It was a city of pillars thick as trees in a forest. From the outskirts, because the pillars were not set with any symmetry but sprang up wherever there was space to spare, it was impossible to see very far. But wherever he looked, at whatever distance, he saw figures squatting like this old man before him, busy carving chunks of indeterminate yellow matter, surrounded by dusty piles and shreds of the stuff. Read More

Songwood

Ocean passage was never easy for a gargoyle. Most were content to pack themselves away in a carton, but Spar had developed an unusual (for a goyle) appetite for the ever-varying spectacle of clouds in slow parade against blue depths or starry night skies. Besides, packing arrangements took several days—even weeks, depending on the port and its stringencies—and on this occasion he had not even several hours to spare. If he failed to leave tonight, then morning might find nothing left of him except some black gravel fit only to be swept into the harbor. Complicating matters, the port was unfamiliar and all the ships looked equally sea-unworthy in the dark. He compared them to the crumpled list of vessels leaving that night, scribbled out by the terrified quartermaster at his request. Three smeared names matched up to three creaking candidates that chafed against the dock as if restless, like himself, to be away. But how was he to choose among them?

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Bemused

The morning after the festival ended, Gorlen woke with his arm around a beautiful tousled harpsicle player who turned out to be his own eduldamer wrapped in a ragged blanket. In truth, he was more relieved to see he had not mislaid his instrument than he was disappointed to discover that Mistress Funch had taken off sometime in the night. She had warned him as they bedded down that her troupe must be off early, their presence required at a wedding performance in the Glisters the following week. Had Gorlen’s own road not lain diametrically opposed to all things and places sublime, he might have been tempted to follow and see if they had room for one (or one more) eduldamer-strummer. Instead he sighed and sat up, thankful for dry weather, warm nights, eight days of good rowdy companionship with plentiful wine, hearty food, and ceaseless music. Read More

Rooksnight

Hunger will drive a bard to unusual lengths: playing of illicit tunes with ill-considered lyrics, ludicrous capering, and sometimes, as now, dangling in a gargoyle’s clutches from the edge of a stony precipice above a deep gorge lined with rocks like gnashing knives. Read More

Bellweather

“I like this place not,” said Spar.

“I can’t imagine why,” said Gorlen. “It looks like a gargoyle’s graveyard.” Read More